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Letter from Alex Hassan


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Such talent, coupled with an affable personality and sincere respect for others possessing a similar musical bent, meant that Cy was known (and loved) throughout the café society of the thirties, forties, fifties, and sixties.

Before settling down after the war years at the New York City Drake Hotel's Drake Room (with which his name became synonymous), Cy played at dozens of intimate rooms across the country.  While Cy's primary performance venue was always New York, he performed in San Francisco, Cape Cod, Colorado, and Minneapolis, among other locales; and he was heard on radio programs across the country.  And, as accompanist in both live and recorded contexts for such great performers as Greta Keller, Lee Wiley, and Mabel Mercer, Cy evinced a nuanced style which beautifully complemented his partner's talents.

Born on 16 September 1915, Cy had the earmarks of a child prodigy, graduating with honors at age fifteen from the Minneapolis, Minnesota West High School.  He then proceeded through a year of college at the University of Minnesota.  After initially pursuing the cello, Cy's first professional performance, as a classically‑trained pianist, was at age fifteen.  When he thereafter elected to try his hand as a musician in New York City during the Spring of 1934, he initially obtained a coaching job with a singer through Johnny Green, and then, during that Summer, played piano on the New York to Boston night boat cruise.

In the Fall, Cy transferred to New York University; but two weeks after enrollment, Eddie Lane heard Cy perform on his fifteen‑minute solo radio show, and asked him to join the Eddie Lane Orchestra for an engagement at the DeWitt Clinton Hotel in Albany, New York.  So ended Cy's formal education and began a four-year association.  George T. Simon, of Metronome magazine, in reviewing Eddie Lane's orchestra in the April, 1935 issue, stated:  "Eddie Lane uncovered a nice pianist in Cy Walter ... coming from the Shadowbox in Pittsburgh (NBC), the rest of the band sounded like any average, well‑rehearsed unit".

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